JAC& CHATS — Print with Hungry Workshop
Great brands have great people behind them. We started JAC& CHATS to talk to the people we admire who help create and grow brands all over the world. For our second chat, we’re talking to two excellent people (who we’re lucky to work with often) about the execution side of branding.
Jenna and Simon Hipgrave co-founded Hungry Workshop, a design and letterpress printing studio based in Melbourne. The exceptional team at Hungry Workshop are printmakers who understand the creative process and designers who understand production. They foster a creative dialogue to reach a finished product that is true to the vision, maximises value and minimises waste. Hungry Workshop celebrate the creative community — a community who strives to push boundaries, ask questions and take risks.
Tell us a bit about how you work with brands at Hungry Workshop.
We work with brands to create meaningful connections with their audience. We do this through physical, tactile extensions of the brand, enhancing these moments with carefully considered print production on our vintage letterpress printing presses.
We’ll either work with designers and creatives to execute their projects, or directly with clients designing and producing objects, packaging and stationery in-house. We help our clients create everything from letterpress business cards, invitations, thank you cards and gift cards to wine labels, custom jewelry boxes and swing tags.
Our aim is to create objects that communicate the quality of the brand and the people behind it.
How does quality printing add to the value of a brand? And on the other hand, what damage can it do when executed poorly?
With a printed piece you’re creating an extension of your brand, one that exists in your customer’s real, physical world. It has the potential to be much more powerful than any digital experience. It’s always a good idea to honour that privilege and create print that both reflects the values of your brand but also respects the customer. Print is an opportunity to create an artifact of your brand, something that can become a treasured keepsake. Print doesn’t have to be over the top or extravagant. It can be simple, restrained and considered. The beauty of letterpress is really hard to ignore, and dare I say, makes for a shareable moment that loops back into the digital world.
If your print is poorly executed that lack of care reflects on your brand and can also show disregard for your customer. It’s a missed opportunity. If you care about your product, service and customer then it makes sense to follow that through. The impact is particularly amplified now, when personal and physical interactions are so limited.
There are a lot of different printing options out there – a huge pool of businesses to partner with, techniques to choose from and a very wide range of costs too – it’s confusing! Do you have any advice for business/brand owners about finding the right fit for them?
Our advice is to find the best partner for every part of your business that you aren’t handling yourself. Find partners that share your values and understand your objectives. From design through to production, communication is incredibly important.
We truly believe that communication and transparency is essential for a successful letterpress piece. Pick up the phone early, ask questions; visit the printer and look at samples. If they won’t pick up the phone, or you don’t feel welcome to visit prior and during production then it’s likely not someone you should be trusting with your brand.
Finding someone you trust and that aligns with your values should help you make the right decision. For us, we tend to work with clients who value local, sustainable and ethical production as well as craft and high quality execution.
A very ‘how long’s a piece of string question’, but do you have any thoughts on what % of someone’s budget should be dedicated to printing?
Our unofficial motto is ‘print less, better’ – we should always be looking to minimise our footprint in the world. When you are creating printed pieces, do it with care and consideration, reflecting the nature of your brand and the way the business interfaces with its customers. For a digital or service oriented business a good starting point would be somewhere between $700 – $2,000. If you have a business with a higher rate of interactions with your customers, such as a product based, retail or hospitality, then somewhere between $1,400 – $4,500 onwards would make sense.
Any advice or tips for someone starting a new brand, or growing an existing one?
It is always difficult to balance where to invest when starting or growing a business. One way to look at it is to make sure you aren’t overlooking those moments where your customers truly connect with your brand. Make everything you do meaningful and intentional.
Anything else you’d like to share?
We’re in the midst of moving our studio from Northcote to Brunswick East, which is equal parts terrifying and exciting. It’s going to be a beautiful space when it is all finished and we’re excited to have our clients and collaborators there soon.
We’re also in the process of launching a new brand of notebooks called ‘Off–Line’ which embody everything we believe in. It’s not only going to be a product with incredible utility, it also aims to give back to the community. The products will be made more than sustainable, by us, right here in Melbourne. We’re really excited to share with the world very soon!
Follow us on instagram @hungryworkshop & @offlinesupplyco and check out our websites hungryworkshop.com.au and offlinesupply.co. If you would like some letterpress samples, you can sign up to our newsletter here and we’ll get some in the post for you.
Creating better working relationships —
Something we take very seriously at JAC& is fit. We only take on projects when it’s right for both parties. Anything less leads to stress and disappointment, two things we don’t need in the studio and definitely don’t want for our clients.
Recently we had a client relationship take a bad turn. We didn’t manage expectations as well as we could have, bringing undue stress into the studio and resulting in an unhappy client. As upsetting as an experience like this can be, it’s also an opportunity to reflect, review and refine. Here’s what we learnt:
Ask simple questions
New processes can be confusing. Questions like ‘what are you expecting of X?’ or ‘are you clear on the next step?’ can save a lot of tension.
When you get the feeling a client is unhappy, they probably are. As soon as that feeling arises, ask the question. Vice versa for clients too. Professional relationships require transparent and open communication to work.
If a project has lost track – maybe the schedule has gone out the window, or communication is proving difficult – it’s okay to speak up. This doesn’t mean getting personal, it means being clear on what you need and why.
Our favourite newsletter (Smarter Living) sums it up really nicely in their article You’ve Made a Huge Mistake. What Now? when they say “the first step to correcting a monumental blunder is to be honest and critical with yourself”. Everybody makes mistakes, it’s what you do next that matters.
Introducing JAC& Brand Workshops —
We’re incredibly excited to announce our new offering – JAC& Brand Workshops – designed to help small business owners add value to their business through a thoughtful branding and marketing approach.
Working in small groups we will explore what makes a successful brand, giving you the tools needed to speak clearly to your ideal client or customer. We will help you define your place in the market by clarifying your point of difference and establishing your brand character and story.
You will walk away with the knowledge needed to create a strong brand and a marketing strategy that fits your individual needs.
- Presentation, guided exercises and discussions in a comfortable environment
- Workshop tools supplied inc. notebook by Supply Paper Co.
- Refreshments by Antipodes Water and lunch by Goldilocks
- Post-workshop advice and resources
Defining your purpose and clarifying your offering
11.30 – 12.30
Developing brand story and character
12.30 – 1.00
Lunch by Goldilocks
1.00 – 2.00
Understanding your audience, position in the market and point of difference
2.00 – 3.30
Creating a realistic brand and marketing strategy
3.30 – 4.00
Questions and group discussion
If you would like to take part in a workshop, please contact Jac directly on firstname.lastname@example.org or 0450 189 308.
We’re doing a thing —
Join us on the 9th of November for a night of discussion and show n tell at General Assembly!
Jac will be sitting with artist and illustrator Ellen Porteus, designer and educator Jane Connory and Anna Reeves from That Startup Show to chat about how we work and create.
It’s free, but you’ll need to RSVP soon to secure a spot → www.generalassemb.ly
Award competitions are a scam —
Quite some time ago, we signed up for a service called Award Reminder. We believe in the work we do and are proud of the results we achieve with our clients, so from time to time we’ve contemplated entering our work into various design competitions. Every time we’ve gotten close to submitting, gut instinct tells us not to. The current state of design awards seems unfair and ultimately dishonest to us.
Award Reminder sent their final reminder last week, because (in their words) ‘award competitions are a scam’. Justus Bruns (founder of AR) explained why he can’t support something he doesn’t believe in and we couldn’t agree more with everything in the article.
You can read it here.
Like Justus, we agree that the concept of winning awards and being recognised for the work you do is great. However paying hundreds (sometimes thousands) of dollars just to take part feels ridiculous. Without a level playing field, the system is broken. Awards should be accessible to all designers, not just those with ample funds and a strong network.
We’re really glad to finally read something that articulates our feelings so well. Until there is a competition that addresses this issue, you won’t see any JAC& work submitted for an award.